Bücher
hier kostenlos | Buch, Hörbücher |
| Film, Kunst und Kultur |
| Fotografie |
Kritik und Essays 07 | |
In Visible Presence: Soviet Afterlives in Family PhotosAutoren: Oksana Sarkisova, Olga Shevchenko
Gebundene Ausgabe, 03.10.2023
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Robert Adams: Along Some Rivers: Photographs and ConversationsVorwort: Richard B. Woodward
Gebundene Ausgabe, 01.05.2006
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The Contact SheetAutor: Steve Crist
Gebundene Ausgabe, 15.09.2009
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Seasons of Yellowstone: Yellowstone and Grand Teton National ParksVorwort: Jane Goodall
Gebundene Ausgabe, 01.11.2022
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The Origins of American Photography: 1839-1885 : From Daguerreotype to Dry-Plate: From Daguerreotype to Dry-Plate; The Hallmark Photographic Collection at the Nelson-Atkins Museum of ArtAutor: Keith F. Davis
Gebundene Ausgabe, 28.10.2007
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India Through the Lens: Photography 1840 - 1911Herausgeber: Vidya Dehejia
Gebundene Ausgabe, 01.01.2001
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Haunted: Contemporary Photography, Video, PerformanceHerausgeber: Jennifer Blessing, Nat Trotman
Gebundene Ausgabe, 31.03.2010
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American Photography and the American Dream (Cultural Studies of the United States)Autor: James Guimond
Taschenbuch, 27.05.1991
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Doppelte Ökonomien/ Double Bound Economies: Vom Lesen eines Fotoarchivs aus der DDR, 1967 - 1990/ On Reading a Photographic Archive from the GDR, 1967 - 1990Autor: Doreen Mende
Taschenbuch, 17.04.2013
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Beauty in Photography: Essays in Defense of Traditional ValuesBruce AdamsTaschenbuch |
The Concept of Non-Photography (Urbanomic/Sequence Press)Francois LaruelleTaschenbuchMyriads of negatives tell of the world, speaking among themselves, constituting a vast conversation, filling a photosphere that is located nowhere. But one single photo is enough to express the real that all photographers aspire one day to capture, without ever quite succeeding in doing so. Nevertheless, this real cohabits intimately with negatives, with clichés as embedded in our lives as they are imperceptible. Photographs are the thousand flat facets of an ungraspable identity that only shines - and sometimes very faintly - through something else. What more is there to a photo than a curious and prurient glance? And yet it is also a fascinating secret. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy and art, and introduces the reader to all of the key concepts of Laruelle's 'non-philosophy'. |
Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern ArtJohn SzarkowskiTaschenbuchIntroduzione di John Szarkowski. 100 fotografie in bianco e nero dei maestri della fotografia: Hill e Adamson, Cameron, O' Sullivan, Stieglitz, Steichen, Strand, Weston, Walker Evans, Cartier-Bresson, Lange, Brassai, Adams, Minor White, Robert Frank, et al. 8vo pp. 216 Brossura (wrappers) Molto Buono ( Very Good) |
The Photobook: A History Volume IIIGerry Badger, Martin ParrGebundene AusgabeGebundenes Buch The third and final volume in Phaidon s acclaimed Photobook series, hailed as the most important contribution to the field since modern histories of photography began to appear in the early 20th century (photo-eye). This comprehensive study of the contemporary photobook brings the history of the genre fully up to date, highlighting over 200 books dating from World War I I to the present day. Photographer Martin Parr and co-author Gerry Badger offer a fresh approach to photographic history, focusing on the development of photography in its published form and covering key genres such as conflict, memory, society, place and desire . |
Picturing Place: Photography and the Geographical Imagination (International Library of Human Geography)James R. RyanTaschenbuch |
A World History of PhotographyNaomi RosenblumTaschenbuchUnusual book |
Le Mois de la Photo à Montréal: The Post-Photographic Condition (PhotoART)Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, David TomasGebundene Ausgabe |
Banking on Images: From the Bettmann Archive to CorbisEstelle BlaschkeTaschenbuchFrom the Bettmann Archive to Corbis Broschiertes Buch Die Rolle der Bildagenturen ist ein blinder Fleck in der Geschichtsschreibung der Fotografie. Entstanden zu Beginn des 20. Jahrhunderts um den Bildhunger des modernen Menschen ( Tschichold) zu bedienen, verwandelten sie Fotografien in eine industrielle Ware. Als Katalysatoren der Bildproduktion und durch die Investition in systematische Sammlungen formten sie die westliche, visuelle Kultur. In den 1920er, 1930er und 1990er Jahren fanden Paradigmenwechsel in der Ökonomie des Mediums statt, die durch bedeutende technische Fortschritte und die Etablierung neuer Absatzmärkte gekennzeichnet sind. Am Beispiel des Bettmann Archives und Corbis eine der weltweit größten Bildagenturen von Bill Gates gegründet geht das Buch Banking on Images den Fragen nach, welche Auswahlkriterien für Bilder dort angewendet werden, wie man den Wert einer kommerziellen Bild-Bank bestimmt und welche Konzepte der Fotografie dahinter stehen. |
The Photography Cultures Reader: Representation, Agency and IdentityTaschenbuchRepresentation, Agency and Identity Broschiertes Buch The Photography Cultures Reader: Representation, Agency and Identity engages with contemporary debates surrounding photographic cultures and practices from a variety of perspectives, providing insight and analysis for students and practitioners. |
A Part of My Life, PhotographsMarianne MüllerGebundene Ausgabe |