Bücher
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| Biografien und Erinnerungen |
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The Queen of the Moulin Rouge: Her StoryAutor: Maryline Martin
Taschenbuch, 04.11.2021
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My West Side Story: A MemoirAutor: George Chakiris
Gebundene Ausgabe, 01.03.2021
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Hermes Pan: The Complete Life StoryAutor: One Hour History
Taschenbuch, 13.09.2023
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Here Today, Gone Tomorrow: A Life in DanceAutor: Christiana Gallea Roy
Gebundene Ausgabe, 06.07.2012
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Holding on to the Air: An AutobiographyAutoren: Suzanne Farrell, Toni Bentley
Gebundene Ausgabe, 01.08.1990
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Grace Notes: My RecollectionsAutor: Katey Sagal
Gebundene Ausgabe, 21.03.2017
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Stories to Tell: A MemoirAutor: Richard Marx
Taschenbuch, 12.07.2022
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Goddess: Martha Graham's Dancers RememberRobert TracyGebundene AusgabeTelling a story from one point of view is so much easier than from two. Or five. Or, goddess forbid, 30. But there are some events and people that demand many points of view. Dancer/choreographer Martha Graham was utterly different to different people in different circumstances and at different times in her sweeping career. In Robert Tracy's oral history, Goddess: Martha Graham's Dancers Remember, Graham's passion and creativity are recalled by 30 of her dancers from the 1920s to the 1990s, including many who became international stars: Merce Cunningham, Paul Taylor, Rudolf Nureyev, Anna Sokolow, and more. This Rashomon-style approach allows her many contradictions to stand out vividly, but all the respondents seek to analyze the spark that was the source of her creativity. |
Steps in Time: An AutobiographyFred AstaireTaschenbuch |
Bravura!: Lucia Chase and the American Ballet TheatreAlex C. EwingTaschenbuch |
My Life 1927Isadora DuncanTaschenbuch |
Fred Astaire: His Friends TalkSarah GilesGebundene Ausgabe |
A Year with Rudolf NureyevSimon Robinson, Derek RobinsonGebundene Ausgabe |
Fifty Contemporary Choreographers: A Reference Guide (Routledge Key Guides)Gebundene Ausgabe |
Isadora: A Sensational LifePeter KurthGebundene AusgabeIt's a bit of a stretch to suggest, as Peter Kurth does in his biography of the expatriate artist, that Isadora Duncan (1877-1927) single-handedly invented modern dance, a claim that Vaslav Nijinsky and George Balanchine, among others, would almost certainly contest. But Kurth has that claim on good authority, namely Duncan herself, who recalled, " I was possessed by the dream of Promethean creation that, at my call, might spring from the Earth, descend from the Heavens, such dancing figures as the world had never seen. " Never shy of self-promotion, Duncan captivated audiences wherever she took the stage, earning a following-but also stirring controversy-in her native United States, and even greater exaltation and stormier criticism in Europe, where she made her home for most of her adult life. There she emerged as a textbook bohemian, avidly practicing and preaching free love and other convention-flouting doctrines, breaking hearts, taking up with political radicals and some of the great artists of the day, and drinking far too much. She also defined the figure of the artist as celebrity, living each day, as one Russian critic remarked, "as though bewitched by music" and unconcerned by the mundane. She even died spectacularly, done in by a fashion accessory and bad timing. Toward the end of her life Duncan remarked, " I am not a dancer. I have never < I>danced a step in my life. " She was a dancer, of course, and one whose influence has endured. She was also an original, self-aware and certain of her greatness. Kurth tells her story well in this vivid biography, one of value to students of modern dance and the history of the Lost Generation. < I>-Gregory Mc Namee |
Brotherhood in Rhythm: The Jazz Dancing of the Nicholas Brothers: The Jazz Tap Dancing of the Nicholas BrothersConstance Valis HillGebundene Ausgabe |
Martha Graham: Sixteen Dances in PhotographsBarbara MorganGebundene Ausgabe |